A mirrored glass table concept designed to reduce visual noise, hide nothing, and give everyday objects a quiet place within the architecture of the table.
Client
White Piano Group
Category
Product Design
Scope
Concept Development
The Removal of Visual Noise
The 330 Glass Table began with two guiding ideas: removing visual noise from the tabletop and elevating everyday objects into quiet participants within a spatial narrative. Instead of asking objects to disappear, the concept gives them a more intentional place to exist.
Objects Given Their Own View
Rather than relying on drawers, compartments, or mechanical storage, the table introduces a tiered structure where books, coasters, and daily artifacts retreat beneath the primary surface. They remain present, visible, and curated without interrupting the calm of the tabletop.
Architecture in Reflection
The form is defined by an extended square top resting above a smaller square base. Inspired by the projecting eaves of traditional Japanese temple roofs, the structure creates a protected horizon for objects below while allowing the table to register the room around it.
Somewhere Between a Powder Room and a Temple
Clad in looking glass on all sides, the table draws from interiors defined by mirrors, ritual, and self-awareness. Reflection becomes both functional and atmospheric, allowing the object to dissolve into its environment while quietly holding space.
Nearly Absent, Precisely Present
Only from elevated or oblique angles does the hidden underside reveal itself. A zebra surface appears momentarily through reflection, creating a detail that is discovered rather than displayed.
Deliverables
